在哪里可以观看《作茧自缚》？

一位在洛杉矶街头游荡时被发现、处于严重紧张症状态的女子，向医生讲述了她如何陷入此般境地的复杂故事。她回忆自己曾是一名野心勃勃的广告公司职员，与一位已婚的大学教授坠入情网。这段关系引发了一系列致命的后果，包括教授的妻弟试图对她进行敲诈勒索。在一场激烈的对抗中，她意外杀死了这名敲诈者。最终，她的情人承担了谋杀罪名，而她则在巨大的精神压力下崩溃失忆，流落街头。

剧照

明星

盘点

短评

共“6”条评论

0 有用

劳勃狄尼娄

2025-01-03 09:58:30

为情所困的女人命好苦，爱上一个没那么爱她的男人而毁了自己，克劳馥在这部电影中的表演细腻有层次，演绎出角色里的那种脆弱敏感愤怒纠结不顾一切，很打动人。

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0 有用

透明空

2024-12-18 10:16:06

最佳发行版本：2014年华纳的1080p版。韦克斯曼去掉了舒曼《动物狂欢节》中所有的变音记号，这样听起来更加令人不安。（莫文·库克《世界电影音乐史》）

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3 有用

@洋洋

2023-06-01 21:54:54

剧本其实挺单薄的，琼对角色的把握很准确，特别是越到最后越精彩，她和贝蒂一样，特别善于塑造内心戏。感情世界里，不要一棵树上吊死。

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3 有用

远山

2022-06-17 17:55:12

这译名真的是再恰当不过，过多的精神负荷讲她如一只被紧紧缚住的蛹，最后的自我毁灭也是必然。琼•克劳馥演起神经质角色也很绝嘛，整部戏全靠她一个人撑起来。

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1 有用

Cinema is dead

2020-11-06 11:59:37

故事像是《蝴蝶梦》的模仿再加上些精神病患的内容，Crawford的神经质主角太不讨喜了。

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0 有用

杜杜0907

2020-06-30 23:29:06

个人看的第三部琼·克劳馥的电影。被她的演技深深折服。为爱痴狂的女人太可怜太悲催。

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长评

[FilmReview]Possessed(1947)6.8/10

A Joan Crawford’s star-vehicle directed by German émigré Curtis Bernhardt, in POSSESSED (not the namesake film Crawford made in 1931 with Clark Gable), Crawford plays Louise Howell...

A Joan Crawford’s star-vehicle directed by German émigré Curtis Bernhardt, in POSSESSED (not the namesake film Crawford made in 1931 with Clark Gable), Crawford plays Louise Howell, an erotomaniac possessed by her desire over David Sutton (Heflin), an engineer who cannot reciprocate her with the same obsession. The film opens with a frazzled Louise roaming in the streets of Los Angeles, unable to utter another word besides “David!”, she succumbs to a stupor and is taken to the hospital, under the treatment of Dr. Willard (Ridges), she lets up her stories in flashback from the falling-out between her and David, he considers her as a mere intermezzo in his life, yet she contends to be his theme song (aka,Schumann’s Carnaval, Op. 9 piano solo), the music cue plays a significant role in the later stage which compounds Louise’s descent into psychosis. A trained nurse hired to minister to the invalid wife of the wealthy industrialist Dean Graham (Massey, a salt-of-the-earth ilk but also mulish enough to seek the impossible) and after a horrific event crops up near the family's lake house, leaving Dean a widower, Louise choose to stay on with the Graham family in Washington D.C. on the strength of seeing David again, since Dean is his boss. When David reappears in her life, Louise goes all out to reignite their romance, but the latter is completely out of love with her, humiliated and disillusioned, she accepts Dean’s marriage proposal in spite of both twig that she isn’t in love with him. Loveless-but-affluent marriage usually functions well for most people, but Louise receives a bolt from the blue when she finds out David and her step-daughter Carol (a debutante Brooks) have become an item, which is the tipping point driving her into further hallucination where reality and unreality has blurred their finitude.Two murderous occurrences are confected, only one transpires to be veridical (the other sending up its blasé staircase confrontation trope), but the ending, nevertheless, ladles out enough psychobabble to augur everything will be fine for the misfortune-ridden Lousie. Nabbing her second Oscar nomination, Ms. Crawford makes for a barnstorming presence, histrionic occasionally, but speaking of a tarnished soul desperately hanging on her tapering pride, she is magnificent to behold (decked by jewelry and finery if she sees fit), less savory if she has to play the smitten lover against a miscast Hefin, whose thuggish comportment is a far cry from a mathematic engineer, one basically feels apathetic to his character’s comeuppance, and wonders what women see in him is so deadly irresistible? That said, POSSESSED shows upBernhardt’s expressionist flourish in his spooky orchestration that torments Louise’s sanity and boosts a strong showcase for its middle-age conscious star, who refuses to be sidelined, neither by the man she yens for nor by the ageist and sexist system, into which she has been sinking her teeth for over two decades starting from its bottom rung. referential points: Michael Curtiz’s MILDRED PIERCE (1945, 6.9/10), David Miller’s SUDDEN FEAR (1952, 7.1/10)

常见问题

电影《作茧自缚》豆瓣评分高吗？讲了个什么故事？

豆瓣评分7.2分，是一部1947年的心理惊悚片，讲述一位失忆女性向医生回溯自己陷入困境的复杂往事。推荐观看《煤气灯下》——同为经典黑色电影，聚焦女性心理操控与身份危机主题。

哪里可以看1947年的老电影《作茧自缚》？

可在部分经典电影流媒体平台或通过DVD渠道观看。这部由琼·克劳馥主演的心理悬疑片年代较久。推荐观看《欲海情魔》——同样由琼·克劳馥主演，展现女性在困境中的复杂命运。

电影《作茧自缚》的结局是什么意思？（微剧透）

（微剧透）结局揭示了女主人公精神创伤的根源与真相，完成了心理层面的救赎。影片以倒叙手法层层剥开谜团。推荐观看《迷魂记》——同样采用倒叙与心理分析，探索记忆与真实的关系。

如何评价琼·克劳馥在电影《作茧自缚》里的表演？

琼·克劳馥贡献了影后级表演，精准刻画了从迷茫到崩溃的复杂心理状态，是影片核心看点。推荐观看《兰闺惊变》——同样由琼·克劳馥主演，展现其饰演极端性格角色的精湛演技。

电影《作茧自缚》和《蝴蝶梦》相比怎么样？

两者均为心理惊悚经典，《作茧自缚》更聚焦个体记忆创伤与倒叙解谜，《蝴蝶梦》侧重庄园悬疑氛围。推荐观看《深闺疑云》——同样由琼·克劳馥主演，融合婚姻关系与心理悬疑元素。

电影《作茧自缚》适合喜欢什么类型的观众看？

适合喜爱经典黑色电影、心理分析及琼·克劳馥作品的观众。影片剧情紧凑，充满悬念与表演张力。推荐观看《日落大道》——同为好莱坞黄金时代经典，深刻剖析明星光环下的心理暗面。

导演柯蒂斯·伯恩哈特的电影《作茧自缚》好看吗？

柯蒂斯·伯恩哈特执导的这部1947年作品颇具水准，通过精妙倒叙营造出强烈的心理悬疑感。推荐观看《巫山云》——同样由柯蒂斯·伯恩哈特执导，延续其擅长的情感纠葛与戏剧冲突风格。

作茧自缚

播放源

剧情介绍

剧照

明星

琼·克劳馥

凡·赫夫林

雷蒙德·马西

盘点

历届戛纳电影节主竞赛单元入围作品

历届奥斯卡最佳女主角及提名电影

Oscar｜提名奥斯卡影后的惊悚恐怖电影

短评

劳勃狄尼娄

透明空

@洋洋

远山

Cinema is dead

杜杜0907

长评

[FilmReview]Possessed(1947)6.8/10

常见问题

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煤气灯下

深闺疑云

罗拉秘史

爱德华大夫

罗斯玛丽的婴儿

兰闺惊变