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82nd 作为传记片还算合格吧，至少还是有点可看性，不算无聊。 但是逃离婚姻却占了影片绝大的篇幅，作为传奇女歌手的历程回顾，主要落脚点却在如此之小格局的视角上，显得很可惜。 这也是大部分女性传记题材的通病，总是要在鸡毛蒜皮的家庭，或者剪不断理还乱的儿女情长上打转，缺少男性传记题材中更广阔的历史眼界和社会性议题。 好莱坞真的要感谢瑞恩墨菲，挽救了实力派过气女星的事业。
男人发现女孩的天赋，男人发现女孩的才能超越自己黑化成为恶魔，女孩摆脱恶魔长大成人，太多的名人传记重复着固定的套路，究竟是营销的需要，还是女明星的必经之路，不过搁在当下也算正逢其时，本片的「营销悲剧」则是不在当下。
不喜欢的风格
家暴mtv。。
听原声。
女主人美歌甜到哪都能混饭吃，家暴吸毒男活该牢底坐穿孤独终老。
没想到让Tina Turner从常年家暴中获得重生的力量源泉竟然是佛学！Angela Bassett手臂肌肉线条好看死了！
那首Mark knopfler为Tina写的的Private Dancer居然没出现，有点小遗憾
影评
最具魅力的摇滚女歌手
十六年大梦初醒的天后人生
【涉及影片剧情，谨慎阅读】 虽然不是很懂摇滚，但非常喜欢这张来自Ike & Tina Turner《Dynamite! 》的专辑封面。
[FilmReview]What'sLoveGottoDowithIt(1993)andTina(2021)
A torch-bearer for striking out on her own from a protracted abusive relationship and a legitimate, slam-bang black artiste reaches her crescendo at a mature age when most singers are over the hill, Tina Turner is an inspirational figure against sexism, agism and racism long before the woke era. Together, Brian Gibson’s 1993 biopic, and Dan Lindsay and T.J. Martin’s latest documentary make for complementing accompaniments to each other, spelling out Tina’s extraordinary life in details.
WHAT’S LOVE GOT TO DO WITH IT stars Bassett as Tina and Fishburne and Ike, her ex-husband and helpmate as the half of Ike & Tina Turner. The film predominantly re-enacts their turbulent, violence-infused marital life and ends with a rousing note on Tina’s comeback success with the titular song. It is a dramatized version of the facts (according to Tina herself), and if the singing segments are excised, the remnant of the movie amounts to a hapless wife’s desperate and eventually successful attempt to get out of the clutches of her husband, who habitually whales at her at the drop of a hat, sometimes even rapes her afterwards.
This may be tainted by presentism, but there is something iffy to demonize Ike as an out-and-out villain and shoehorn Tina as an abject victim of domestic and sexual abuse, since she is much more than that, the psychological reasons behind the fact that she chooses to stay with Ike for 16 years are much more complex than they appear to be, and Gibson’s film has no interest to probe into that fecund soil, Tina’s devotion to Buddhism is tokenized with one repeated mantra alone. Only in TINA, we suss that they can be psyched out in relation of her piteous upbringing (parents fighting constantly and then both leaving, left her behind), feeling unwanted and hankering for love, Tina makes a promise to Ike that she will never abandon him (Ike’s deep-seated insecurity is another untapped territory in the fictional feature) when they transition from mentor-and-protégée to a romantically linked couple. It is a mistake in hindsight, but one must give Ike his credit in molding a wide-eyed country girl Anna Mae Bullock into Tina Turner, the raging dynamo on stage with a heavy, raspy but immensely powerful timbre.
WHAT’S LOVE… knows what appeals its audience most and makes a meal of it, factual fidelity gives way to tweaking here and there, like the bane which haunts the biopic genre, intentional simplification sours one’s appreciation. And if Gibson’s tactless direction isn’t worth much ovation, it is Bassett and Fishburne’s electrifying performances that truly matter, they are both nominated for an Oscar. For Fishburne, his Ike is like a tyrant without charisma, his musical talent is dwarfed by his outward meanness, it is a tricky, categorically objectionable role, yet, in Fishburne’s able hands, Ike isn’t merely a menacing-look monster (although the script makes him one), there is scant spark in his eyes, especially in the fictional confrontation scene where he pulls out his pistol, trying to earn an upper hand over the now liberated Tina, Fishburne has that stunning, almost transfixed look when he realizes that his browbeating pettiness can no longer intimidate Tina, Ike is licked, reduced to a pathetic fool, and that look alone makes him a human again, however remotely.
Bassett, lip-syncing and imitating Tina’s stage flourishes like nobody’s business, has that wondrous flair of a real trouper, barring looking dubious to portray a 16-year-old Tina in the beginning, she is a phenomenon. Her version of Tina is a steelier, more angular ball of fire, and you know she will fight back, look how sinewy Bassett is! When that moment comes, you cheer for her but also pain to see how sadomasochistic their relation turns. If she doesn’t leave, the vicious circle will destroy her. The mere fact that both her and Fishburne are still waiting for that elusive second Oscar nomination can only reveal how Hollywood has failed them.
TINA, the documentary, divided into 5 parts, has a more comprehensive examination of her life and is thoroughly pleasing, even uplifting when she finally rises above all the hurdles like a lotus, confident, resilient and blossoming, leaving her checkered past behind and letting go all the terror, rancor and regret, that is the story everyone should rave about. That said, it sounds a tad insincere for celebrities who claim to write their memoir as a cleansing therapy to bid adieu to those painful experiences, the truth is more likely, if that shit can sell, why not make some lucre out of it?
Interviewees are limited to a few true insiders, although no one can refuse Oprah waxing lyrical about Tina. The footage of Tina belting out her signature songs has that infectiously raw affection and bears out why Tina is a born superstar on stage, she pulls out all her emotion into her songs, energizes them without restraint, and where does her endless energy comes from? It also controverts the conception that she owes Ike for her career, because she can shine whenever and wherever, give that woman a stage, she is the queen, indomitable, irresistible and utterly genuine.
referential entries: Asif Kapadia’s AMY (2015, 8.3/10); Rupert Goold's JUDY (2019, 6.9/10); Bryan Singer, Dexter Fletcher’s BOHEMIAN RHAPSODY (2018, 7.5/10).
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常见问答
关于这部影片的常见问题与解答
Q 电影《与爱何干》豆瓣评分高吗？
豆瓣评分7.9分，属于口碑不错的音乐传记片。推荐观看《波西米亚狂想曲》——同为聚焦传奇摇滚歌手的音乐传记电影，重现舞台辉煌与人生起伏。
Q 电影《与爱何干》在哪里可以看？
作为1993年的老片，可在主流影视平台搜索或通过DVD渠道观看。推荐观看《灵魂歌王》——同样讲述黑人音乐巨星的传记电影，充满力量与激情。
Q 电影《与爱何干》结局是什么？（微剧透）
（微剧透）蒂娜·特纳告别巡演后开启人生新篇章。推荐观看《玫瑰人生》——同为描绘女歌手传奇一生的传记片，展现艺术生涯的巅峰与低谷。
Q 电影《与爱何干》和《灵魂歌王》比怎么样？
两者都是优秀音乐传记片，《与爱何干》更聚焦蒂娜·特纳个人奋斗。推荐观看《雷》——同样由杰米·福克斯主演，演绎另一位音乐天才雷·查尔斯的生平。
Q 电影《与爱何干》主演安吉拉·贝塞特表现如何？
安吉拉·贝塞特贡献了影后级表演，精准诠释了蒂娜·特纳的神韵。推荐观看《等待梦醒时分》——同样由安吉拉·贝塞特主演，展现其出色的演技深度。
Q 电影《与爱何干》适合什么人群看？
适合喜爱音乐传记、励志故事及对蒂娜·特纳感兴趣的观众。推荐观看《舞出我人生》——同样以音乐舞蹈为核心，充满活力与追梦热情。
Q 电影《与爱何干》剧情主要讲什么？
讲述摇滚女王蒂娜·特纳的传奇生涯及其告别巡演的故事。推荐观看《朱迪》——同为描绘天后级女歌手晚年境遇的传记电影，感人至深。
Q 如何评价1993年电影《与爱何干》？
是一部制作精良、表演出色的音乐传记片，生动再现巨星风采。推荐观看《几近成名》——同样以摇滚乐黄金时代为背景，充满怀旧与青春气息。
Q 电影《与爱何干》是真实故事改编吗？
是的，本片基于摇滚天后蒂娜·特纳的真实经历改编。推荐观看《沙漠妖姬》——同样是1990年代经典，涉及身份认同与自我表达的主题。